Tender, sinister, poised, awkward, elegant: my work
investigates from a variety of aesthetic and psychological perspectives what is
essentially a philosophical question: why do human beings struggle to capture
and confine that which brings joy, knowing such an object will inevitably alter
or escape. Is this struggle an inherent part of existence? These paintings
transfer elements from everyday life and popular culture into forms of seamless
clarity that both exploit and transcend their prosaic associations. The sources
become obscured as the images are refined into mutable symbolsopen-ended forms
with no limit to their interpretation. Each painting presents a distillation of
emotion, imbuing the formal field with a spectrum of conflicting sensations.
Bands of vibrant color meticulously outline an allusive, non-specific form
which is really a space, an absence masquerading as a presence. A plethora of
affective mutations and distortions taint the initial expression of joy,
functioning as psychological mechanisms to cope with the impermanence of
desireżs objects. The paintings convey this corruption, but also strive to
transcend it with humor and detachment. The work acknowledges a dark side of
affairs while being simultaneously reassuring, buoyant, and emotionally
compelling. Embracing the permanence of transience, the paintings replace
emptiness with openess, with pleasure in the simple fact of being.