Published on this server:
Review: 2001 Biennale de Lyon : CONNIVENCE
June 23rd to September 23rd, 2001
La beauté tragique: Mapping the Militarization of Spatial Cultural
Consciousness
The Emerging Arts Lecture at Oberlin
NERVOUS VIEWS FRON WITHIN :
a
paper delivered at the GMD-Institute for Media Communication
REORGANIZED MEDITATIONS ON MNEMONIC THRESHOLD
THE URGE FOR IMAGE AND THE SATURATED EYE
(A SPECULATION)
THE ART OF EXCESS IN THE TECHNO-MEDIACRATIC SOCIETY
A PORTRAIT OF ARBOIS'S 1993 FETE DE VIN
FONTANA ARTICULATES CYBER-SPACE IN 1947
Report on The Virtual Worlds 2000 Conference : an island of negative entropy
Henri Michaux's Mescaline Engendered Drawings
Art et Multimedia : Plasticiens et Multimedia
Henri Maccheroni : "2000 Photos du Sexe d'une Femme"
Critique of Villa Arson's "lascaux2" web exhibition
VIRTUAL WORLDS 98--FIRST INTERNATIONAL CONFERENCE ON VIRTUAL WORLDS
Review of "ALTERITIES: Interdisciplinarity and "Feminine" Practices of
Space" conference
Féminin-Masculin, le sexe de l'art
1996
Published Art Reviews (selected) on the internet
art site
THE THING
1995
Sex Machine Art
Tightrope #2 (on-line and print)
New territory of Significance,
New Observations,#104
Virus Project Statements,
Cause Toujours #2
"Technologies of Presence" ,
BLAST 4: Bioinformatica
1994
"The Computer Virus Project",
The 5th International Symposium on Electronic Art (book)
1993
"The Art of Excess in the Techno-Mediacratic Society"
and "Introduction", New Observations (No. 94)
Guest Edited by Joseph Nechvatal
1992
"Innovations in Image Technology",
M/E/A/N/I/N/G Contemporary Art Issues (No. 11)
1991
Artist
and Familiars
(A.O. Spare)
Blast # 1 (November /December)
"The Collapse of the 80's Image",
M/E/A/N/I/N/G Contemporary Art Issues (May)
1990
"Hyper-death and the Scopic Corpse",
Artforum (November)
"Dilation",
Published for performance at Bil Ehrlich, March 8 and 15, 1991
1989
"Art Not Market,
Caliban 6
"Artistic Cynicism",
Art Criticism (Vol 5, # 3)
"Re-Conceptualizing Drawing",
DeRijksakademie (# 8)
1988
"Reorganized Meditations on Mnemonic Threshold"
MEANING #4, (November)
1987
"High Style",
Arts (April)
Reprinted in Art Criticism (Vol. 4, # 2, 1989)
"Post-Simulation Decadence",
Arts (Summer)
"A Prophylactic Discourse on Simulated Art",
Magazine, Toronto (Fall)
Reprinted in Code, Amsterdam (December 1987)
"Simulation & Sublimation: The Law is for All",
Unsound Magazine (Vol 3, # 1)
"Theoretical Statement Corcerning Computer Robotic Paintings"
Documenta 8 catalogue (Vol 3)
Reprinted in Caliban 5 (1988) and Red Bass (# 13, 1988)
1986
"State of the Art / Art of the State",
Spectacle (Fall)
"Theoretical Drawing Statement",
White Walls (# 13, Spring)
1985
"Holding Out the Promise of Pure Regression",
New Observations (# 28)
"Superfacts",
Spectacle (# 4)
Reprinted in Effects (# 3, 1987)
1983
"Epic Images and Contemporary History",
REALLIFE Magazine (# 11/12, Winter)
1979
"Untitled",
White Walls (# 3, )
NECHVATAL 2
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